Elias Moncado

At the age of four, Elias received his first violin lessons from Keiko Skiba and later from Prof. Rainer Kussmaul at the Pflüger-Foundation Freiburg. Born in Aachen in 2000, Elias was already a 7-year-old junior student with Prof. Latica Honda-Rosenberg at the Freiburg University of Music. One year later he moved to the Julius-Stern-Institute of the Berlin University of the Arts. Since January 2016 he is also a junior student at the Interlaken Classics Academy under Prof. Zakhar Bron. At the age of 10, he was the youngest winner in the history of the European Cultural Foundation Pro Europa to receive the European Hope Award. At the age of 12 he made his debut in the Berlin Philharmonic with the German chamber orchestra Berlin. At the age of 13, he received the German-French Youth Promotion Award of the German-French Society. He has also won several international competitions such as the Paul-Hindemith-Competition in Berlin, Concours FLAME Paris, Young Paganini Legnica (Poland), Telemann Competition Poznan (Poland), Button Competition Dusseldorf, Lions Music Award Germany, Louis Spohr Competition Weimar, Andrea Postacchini Competition Fermo (Italy) and Concours International de musique de l’Orchester philharmonique du Maroc (Casablanca). He has performed with the Julius-Stern-Orchestra Berlin, Philharmonic Orchestra Freiburg, Penang Symphony Orchestra Malaysia, Zagreb Soloists, Polish Chamber Philharmonic Sopot, Heidelberg Philharmonic and Bavarian Radio Symphony Orchestra with conductors such as Wolfgang Trommer, Hans Richter, Fabrice Bollon and Wojciech Rajski, Gabriel Adorján, Olivier Holt and Nicolas Pasquet. Elias participated at important festivals such as the Classic Festival Bad Ragaz, Youth Music Festival at the Royal Opera House in Muscat (Oman), Music Festival Mecklenburg-Western Pomerania, Kissinger Music Summer, Brandenburg Summer, Crescendo Berlin, Konzerthaus Berlin, Garzer Music Summer, Schleswig-Holstein Music Festival, Mozart Festival Castle Schwetzingen, Old Church Fautenbach Achern, Salle Alfred Cortot (Fondation Animato) Paris, Teatro Ristori Verona and Printemps Musical of Alizés. He also played for rbb Berlin, SWR 2 Baden-Württemberg, France 3 and WDR Cologne. He regularly plays chamber music in the instrumentation of violin duo, violin/viola, piano trio, piano quartet and string quartet. In November 2017, he performed for President Emmanuel Macron and Federal President Frank-Walter Steinmeier. He is a scholarship holder of Friends of Young Musicians Berlin, the European Circle of Friends of JSI Berlin, the International Music Academy Liechtenstein, the Gerd-Bucerius Foundation and the Jürgen-Ponto Foundation. As an award winner of the Deutsche Stiftung Musikleben Hamburg, he played a Petrus Guarnerius violin, Venice 1730, from February 2017 to December 2017. Since December 2017 he plays a violin by Antonio Stradivari, 17th century, Cremona, by a German foundation. Since October 2018 he studies at the Mozarteum Salzburg with Prof. Pierre Amoyal.

Elias in the Interview

Why and since when do you play the violin?
Since I’m 4 years old. The violin fascinated me the most because it comes so close to the human voice. You can discover so many nuances with her and she is a very shapeable instrument.

What fascinates you most about music and why?
For me, music is a global language that everyone understands. You can express all your feelings, emotions and states of mind perfectly through the music. With music you can move many people, music is always very enriching for yourself and for the listener.

Which composer excites you the most and why?
Beethoven and Brahms. Beethoven’s and Brahms’ music are simply ingenious, Beethoven is already looking ahead to Romanticism. In Beethoven and Brahms, the musical expression comes first through sound, which lets the music sing.

What are your future plans?
I just want to continue enjoying music and will keep all options open.

How did you start at the Quartetto Paganino?
I got a request from Mr. Wyneken to take over the 1st violin of the quartet.

Why do you think the quartet is one of the most sophisticated music formations?
The quartet is a very complex formation, it lives on the unity in the sound, the repertoire requires the highest performance on the instrument because of its versatility.

How do you all master this challenge together?
We find the time to rehearse and musically agree and experiment.

Which piece from your previously learned repertoire do you like best, and why?
Mendelssohn Quartet, reflecting Mendelssohn’s yearning, pain, and heartfelt emotions.

How do you imagine the future of QP?
We will walk together on our musical path and adapt to new challenges.

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